it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

way ahead of its time and quite incredible to imagine such a modern sounding record could have been made so many years ago... this cult new wave/dance cover of the doors classic was taken off the first of the two long players that la synth band moebius (not to be confused with german electronic maestro... dieter moebius of cluster and harmonia fame ) released on moonwind records, 1979-1980.

quintessentials tracks are raw, but they have soul. its what we all loved about those old house records: a raw yet soulful music.

nice price deal !!! incl maxi cd! after celebrating its arrival on the young label slim records with the sparkling white chocolate ep , skail master m now places that year 2010 beginning under the sign of sharedinventiveness with its brand new moon s rings ep , a fresh, innovative release including an original remix from the british dj ignition technician.

from the great success of smallvilles first label compilation >and suddenly its morning< a new deephouse collective evolved: the smallpeople aka dionne, steinhoff & hammouda, jaques le bon and christopher rau. hanging at their record store, djing together and exchanging beats and samples made the lovely hamburg house gang around smallville owners julius steinhoff and just von ahlefeld (aka dionne) an new source of deepest club culture. due to their large output jus ed from bridgeport ny signed another 12inch of the smallpeople for his underground quality imprint to come out right after their amazing debut on laid recordings.

rotating assembly is a band put together by theo parrish. this loose detroit outfit evolves around 21 people, who exchange talents and energy. all tracks are written and produced and masterminded by theo parrish, who has given them his (sound) signature sound a true sound signature release. artists included in the band are: genevieve (known for vocals with recloose), maat lo (aka billy lo), marcellus pittman (recorded/djs for/with 3 chairs), rick wilhite (3 chairs), warren harris (recorded with dan curtin), andres. also newcomers such as karen bosco (most vocals) john dougalas (trumpet), king sunshine & trent mitchell (double bass) put in incredible effort to make this release a top sound signature title. from the laidback vocal tune naturally to the instrumental emotions of melt its all there to make this album an allround one. from strength to strength, theo parrish takes it to the next level, once again. the first 12 inch comes with an exclusive instrumental mix of melt.

nice price deal !!! after celebrating its arrival on the young label slim records with the sparkling white chocolate ep , skail master m now places that year 2010 beginning under the sign of sharedinventiveness with its brand new moon s rings ep , a fresh, innovative release including an original remix from the british dj ignition technician.

so sorry, its sold out !!!it was ultra limited and no repress !!!

>sweet devil< by pirupa & pigi might be their best work to date. its a full on detroit tech house banger with a very catchy vocal hook on it. this one grows with each listen and whats even better is - it really works in the clubs!
>sax on wax< by sabb & s. elezi is a delicious slice of deephouse with sax snippets and a solid, deep groove. perfect for the warm-up hours but will also work a treat for the late-night morning sessions.
once again a standout 2 tracker on nm2. close your eyes and use your ears.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

vinyl only release! guess who is behind it?! for sure you have heard some of his production last year. the man was one of the hit maker of 2009. the a side of this ep is seriously excpected since a while now… many top djs around the globe are playing it from little louie vega to radio slave. its now your time to get it!

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

fumakilla launches the new year with a banging, excellently produced 12 inch from the pen of valenzuela / casarano. after their outstanding debut release >otra vida< on fumakilla, which was played and charted by numerous top djs like jimpster, luciano, brothers vibe and onur Özer, just to name a few, the two chileans now drop >aneninema< - a classical ep with 3 magical tracks. the a-side starts with >santi< and its instantly starting hypnotic pumpin groove. with >flaca< the two prove their musical talent with loads of charm and soul, besides the track flows vitally through its latin roots? on the flip with >aneninema< they combine and link all these ingredients to create a >groove deluxe< that wont keep anyone standing still in the club. feel it , play it ,love it

marcin czubalas track titles are starting to closely mirror his career path. like a swift gazelle czubala bounces back and forth between mobilee records and nick curlys 8bit recordings, leaving in his wake a trail of triumphant releases. >zoo comunale< springs czubala back to mobilee after the success of his >minskaya< ep on 8bit, and jumping in the cage with him is none other than well renowned artist hugo. an impressive discography and busy touring schedule have made hugo a reputable name in clubs around the globe. as a fan of his jazz educated, funk inspired sound czubala approached hugo to collaborate. the subsequent intertwining of these two musical animals produced >zoo comunale<, its bouncy grooves and hypnotic loops tinged with a bit of funk. animalistic stuff. >zoo comunale< is comprised of two tracks, a-side >zoo comunale< and b-side >no tu no<, as well as a digital bonus track >polita<. every track has its own unique twist, each proving perfect for dance floors world wide. mobilee says welcome to the zoo, and enjoy!

>fall into me< finally marks the release of the last and keenly awaited single from jay haze aka fuckponys masterpiece >let the love flow<. the album title says it all - >fall into me< sounds incredibly light, yet catchy and full of energy - a free fall onto the worlds softest pillow. this is how house must sound to lovers. house with soul can be taken literally in this case, as jay has called upon the expert support of laila tov and chela simone. the latterenjoys an international standing and has already lent her sublime, very unique voice to kikis hit single >good voodoo<. here she combines inextricably with jays compact sound aesthetic and makes >fall into me< positively shine.with its atmospheric intro and broad musical range, the original on the a-side sees a welcome reappearance of certain must-have features which will have the hairs on your neck standing up... the accompanying video was shotby emmy nominee daniel michael gahr with chela simone and laila tov in the woods of san francisco.
marco passarani has done the honours on the flip side. a workaholic from the eternal city of rome, marco is the linchpin of the italian techno scene. he produces under the aliases js pool, monomorph and ambit 3 for the labels skam, hymen, clone and peacefrog, and also runs his own labels plasmek, pigna and nature records marcos >fall into me< remix is unmistakably influenced by hiscarefully nurtured detroit roots. however, he employs these stylistic elements very discreetly, retains beats, melody and vocals in his arrangement, takes out a little of the decorative padding from the album, then finally hits us with a wonderful, trancey eight-tone sequence to send us into the realm of dancefloor dreams for ever.

supported by dj sasha, rodriguez jr, chloe, sian, piemont, ivan smagghe!! the duo from cologne-dusseldorf is back with a monster track! >raedereichen< is a track that you cannot estimate before you have heard it loud. talking about minimalism and the lost magic of this genre this is a monster which creates its own genre of new techno-rave

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

saved kicks off its 2010 release campaign with an ep from mendo and danny serrano. the duo achieved a successful 2009 between them with releases on bouq, clarisse, viva and luciano s cadenza imprint. for their saved release they present an incredible two track ep which is set to cause damage to dance floors across the globe. on the a side is yanara , a powerful deep and techy track which builds perfectly with layers of effected vocals and drum rolls to create an audio masterpiece. on the flipside is berlina . just as effective as the a-side, it possesses a grooving bassline, which works perfectly with the vocals that mendo and danny have edited flawlessly to make the track work to great atmospheric effect.

as world economies crumble, paranoia and mass hysteria run rife throughout the fractured communities of our troubled planet. nearly 30 months since the last full length communique, transmissions have been forced further underground. after a gruelling series of campaigns at the frontline, special agent manasyt delivers yet another damning dossier of evidence against the unseen corruptors. the processed signals contained within offer a temporary solution, brief respite from the onslaught of treachery that engulfs every facet of modern life. for those amongst us already able to decipher the hidden meanings embedded in the data, this will serve only to confirm your worst fears and suspicions, and urge to you take immediate evasive action. stay tuned for further instructions...

plastic rules is steadily moving towards the future with high quality minimal techno releases. 004 was a firm step in the right direct featuring the amazing >someone else<.
now its time for martin woerner (paso music, inclusion) and he delivers another beautiful piece of vinyl for the djs out there. this upcoming is hot and the highlight so far is his track featuring on the cocoon mix cd by dubfire and locodice.
on the flip we have a piemont (my best friend) remix. these guys are hot with remixes already under there belt for trapez, kontor, ministry of sound and many many more..

rhythmical, distinguished and brazen. thats how the young label push up muzik defines its music, and now presents >artist shit<, a new musical fragrance whose deep base and elegant melodies bring us the freshness and strength from the best tech house. it all will delight the most exclusive tastes. the original song, composed by roll-off (paco heredia and xavi fayos) is the first launch of this label, that includes as well remixes with deep, minimal and techno shades by xavi fayos aka ivax soyaf together with carlos valdes and the producer pablo bolivar, it all mastered by tony blunt.

sometimes a label like syndikaat gets many demos from upcoming artists and sometimes suddenly something stands out so much it just must be signed! barnum & bailey are the new guys and they send us a slammer. very cool uplifting minimal style that just works so easily always. synth driven beats with a pumping bassline. its just like that, listen and let the music take you away.

7 oz. records has come to its 4th release in vinyl. label founders siddharta and mr. rovat have finally put the last touches to their musical debut with windy city lights, an explicit dedication to the sound which influenced them in the 90s. its an ep which relives those chicago and detroit atmospheres, enhanced by the solo trumpet played by acclaimed musician omar valle, who gives it a unique jazzy mood intertwined with drum machines and old school tools, an attempt to have the record play in an analogic manner.
the remix was handed over to none other than to brothers vibe, an historical name in the north-american deep and house scene. the result is filled with dub echos, undoubtedly detroit and perfect for any set!

right on the heels of our previous bass/electro smasher, we hit you with the most anticipated house/disco record of recent times. helsinki 78-82 is a project by top billin team members flipper & koobra, whove always been active and always been down to bring something new to the label. while flipper is part of the top billin dj team and has always been the most high-flying of us, so no wonder the the new 12inch is some musical bliss thatll leave you feeling that good good. this is what we call big city house music, when youre cruising the streets at night with the top down - no words needed. in a manner michael mann would be proud of. so lifelike is a sort of remake of lifelikes great so electric (under permission), although this time it comes with vocals from our great helsinki new wave partners villa nah. if you are in need of a new end-nighter, this is it. cruising is a tune full of that pumping big city feel with driving drums and great synth work that will get them ladies on the floor and will fit into those funky house / modern disco sets. we even have a video for it, but its a different kind of cruising than you think (no al pacino)…

anja schneider, laurent garnier, afekt, sebo k, martinez, seth troxler, ryan crosson, lee curtiss, dj yellow, slam, 2000andone, luca bachetti, raresh, okain, dj w!ld, agnes, marc romboy, ben watt, sascha funke, jimpster,.. djulzs bass culture records has undoubtedly been one of the major highlights of 2009. in just four releases the french label has set the bar for all others in terms of quality and 2010 is looking to be a groundbreaking year for them. first release of 10 sees the label head keeping it french with the ivory machine e.p. from arnaud le texier. ..todays e.p. opens with the title track. deep and hypnotic, its long atmospheric intro leads us to its key stabs, and the tougher kick drum. each sound is beautifully layered to create the complete opener…

20102 is the debut-ep. of the rheintime founders, cotek. its is a smashing bomb for the dancefloor, with nice vocals, trumpet snippets and driving grooves. support by: someone else, paco osuna, holgi star,the advent...

the yore captain returns to his own yore imprint on the labels 21st release. shadow city presents different visions of funky house grooves. the a sides the y theme gets deeply moving with a funky house pulse before stoking the fire with the addition of speaking voices (trippingly intoning the q&a what are we doing this for? and the music), a move which single-handedly jumpstarts the track. after the voices appear, the grooves intensity escalates and plunges deeper, its gyroscopic house swing becoming more dizzying and torrential with each passing bar before coming to an acidy storming end. in its opening moments, shadow city opts for a deeper and more serenading vibe by comparison, but thats traded in for a slinkier attack at the three-minute mark that grows progressively more ferocious as the track makes its drastic upwards ascent. a trippin dangerous murder weapon to say the least. watch your heads! the b sides b2 track, mumbai dweller keeps the focus primarily on the bottom end, specifically a strutting tribal-house funk groove thats dragged even deeper by a throbbing bass undertow, adding dark chords to it, giving this ep a darker feeling towards the end. to sum it all up: this is raw house music at its best!

2009 was a great year for these days records, and 2010 promises to be even better. the platform stood out for its innovative yet functional club sound and unique artwork concepts. the new year begins with a new split series under the name universal consciousness, based on the idea of connection between all things, and that all things have been coordinated, and they combine to make up the same universe. the first part is dedicated to two very different takes on spiritual, cosmic space techno. on the a-side argys >sometimes im blind< generates a long and uplifting emotional climax, which features a solo that will forever stay in your heart. the track was recorded at the end of 2008, and despite numerous offers to release the record elsewhere, nothing was finalised and the recording never saw the light of day. soon after the birth of his own label, it naturally fit the platform and seemed a perfect way to start the new year. on the flip side, sheffield born alexander ross, brings forth a cavernous techno piece awash with reverberation and spacial echos that brings a driving yet non the less emotionally captivating moment perfectly in balance with the depth of the a-side.

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

vakant continues its valt series with the third installment of uncompromising club tracks. started in 2008 with onur Özer and followed up by tolga fidan in 2009, dario zenker brings up valt3 in 2010. vakants representation in the decent south of germany locates belfort as close to detroit as its indefinite in time. was it written by little dario in the 90s? or maybe on a us tour in detroit itself with some helping hands? we dont know, but surely have a timeless piece of music here

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

8 tracks of pure hardcore madness!!

tonbaumeister’s love for electronic music roots deep in the late eighties when he got his first computer, a commodore c-64, and when he instantly fell for the distinctive sounds of its sid chip. always driven by this passion he since then devoted himself to producing electronic music on various computing platforms and with multiple different programs to discover and soon constantly reinvent his own style. growing up in hessen, in the very heart of germany, he was deeply influenced by the endlessly evolving styles of house music and techno, which shaped the face of the vibrant club culture in cities like frankfurt and kassel. although tonbaumeister’s style might prematurely be declared as house music, the diversity of his productions makes it almost impossible to put them in a box and label them. his energetic tracks range from straight house to tech house to almost dark technoid characteristics, but suddenly one finds oneself surpr ised by the aforementioned sounds of late eighties computer games embedded in a psychedelic landscape with rough sawtoothy baselines. as hard as it is to pin down his production style, it is even harder to label his dj sets, which, as well as his productions, constantly evolve and morph while mirroring all of tonbaumeister’s influences. since 1999 he developed a passion for djing and he has had the chance to transport his enthusiasm into a number of clubs, infecting many clubbers with his verve. at the moment he is about to launch his own label subclinical

stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness

the 2nd release from detroits emerging techno label, asrx, is sure to keep the late-night dance floor flexing! this release takes the listener on a journey through space and time with its hypnotic / psychedelic grooves and driving / pounding bio-mechanical rhythms. drop one of these tracks into a serious techno mix and watch the dance floor erupt

r.i.p. hollertronix series, that club staple borne in philly by diplo and low b that, in its lifetime, has seen the pair rise from small time basement collaborators and underground party hustlers to major label players and arena rockers. it helped introduced the world to bmore and balie funk music and let djs know it was okay to embrace a pluralistic club experience where its more than okay to crunch up a set with indie, hip hop and dance music. the seeds of hollertronix are sown, but now they ve grown, with the departure of low b, diplo has nursed the growth into the full fledged mad decent label under universals downtown records umbrella. the last word from hollertronix is this, a four track banger from amsterdams the partysquad, which is the hollertronix 10 12inch. it includes potential future classics: pull up, crazyfunkystyle, murderer & rage.

its been a while since i:cube hasnt deliver some fresh cuts! was he lost in a software??? hes back (a new album is also scheduled) to his early naive, deep and twisted spirit, but with a super tight modern production... falling is a sleazy funk track, a slow burner, which contains all the elements who made i:cube one of the most respected and innovative producers around since more than a decade!! heavy groove, hypno bassline, references to the early disco-dub music. un dimanche sans fin (neverending sunday) was done (as its name says) a sunday night, one shot, at the versatile studio. cube reconnects with his seminal dub-techno love, a track full of space and emotion. i would describe operation hypnosis as sheffield house. a solid beat and some bleeps will bring the dancer into a mental spiral...

the voyage continues. after dropping his debut album voyage direct, tom trago now drops two favorites from his live set. side a is an extended disco version of use me, morphing in to and out of the original like butter. clocking over 8 minutes use me again becomes somewhat a modern take on the original disco version. its got enough drive to make a dance floor go crazy. side b meanwhile is an exclusive from his live set. here he strips the classic >over & over< to the minimum before sliding into the original groove only for a moment, only to continue to ride the rhythm again. proper club business

arms goes japan! on the seventeenth cut we present a mindblowing japanese line up, which will take you straight to the land of the rising sun. we welcome the talented newcomers asagaoaudio and kyoudai itsumo, both part of the new wave of japanese industrial techno producers. beside fresh blood we also present some experience on the black gold. takaaki itoh and go hiyama have been partners in crime on stage for a while now and its about time they share the same vinyl on arms. prepare for some cutting edge, razorsharp dark metallic rhythms and sonic structures straight from japan.

pornographic is back in the scene after the special celebration picture disc for its 25th release. now we have new for 2010: the 28th special cut. complete with pornographic artwork like we are used to from the label we have a very special release by luxembourgs vic miranda and toni moreno. vic has a wicked line-up of releases out there and coming up on labels like naked lunch and more. this track is a perfect example of his dancefloor ortientated techno with a funky influence. cristian varela liked it so much he remixed it for the second track of this ep! on the flip we find the funky mambo sound of toni moreno. this is definitely a man to follow in the future if you are into this style techno. funky edits and infectious vocals take you on a trip from start till end! tip!

one of those records that is just out of this world! the day has finally come that anto vitale makes a return to seasons limited and brings the beautiful and soulful tamara wellons along for the journey! anto vitale first landed on seasons limited in 2008 with his debt record >majico<, which was a beautiful masterpiece that weaved its way through african and techno rhythms and tore up dance floors world wide! anto vitale comes home with another record that just blew us away, featuring the beautiful vocals of one of our favorites tamara wellons. this is one of those records that is just out of this world!

adonis presents the invite by late invitation, three live tracks from a swiss band. its deep house in a nu-disco meets steppers kind of way. its just this side of metro area and that side of non-american bands paying tribute to a funky, soulful style in their own particular way.

this is the first part of staub (engl. dust) - a new series of giegling, which aims to release traditional techno music. dust because its about dusty tracks, if you consider the sound and the time of creation. the music of the first part is from 2003 and is produced by a guy, who disguises himself in the documents as vril. we discovered him in a secret subterranean archiv during the demolition of our hobby celler - the giegling. played and charted (top 7 , april 2010) by marcel dettmann (berlin)

its the time for the most emotional and the most beautiful release from russian outstanding crew - highway records moscow. its barbq, known for his buzzin fly releases. including remixes by tech house monsters terry lee brown junior and dirt crew.
attention tech-house djs - this one is a 100% must have!

after a break of 3 years, fear of flying resurrect their limited label to give an airing to a track that has been getting some serious attention at londons uber club fabric, having been a staple in the sets of supa resident craig richards for some months now. tiger tiger is all about the tension as the 3 minute intro builds and builds with the an arpeggiated synth, deep bass and a spanish female vocal hook before dropping, no doubt, to dance floor pandemonium as the kick is introduced. its anthemic qualities are brought to the fore later on with a string breakdown and more lashings of the ultra catchy spanish female vocal. ekkohaus provides two excellent mixes on the flip – the main remix shimmers along in fine dance floor fashion. super slick percussion and snippets of the main vocal keep pushing the tracks along, occasionally dropping into the full vocal hook to get hands in the air and smiles on faces.

we are delighted to welcome the mighty russ gabriel to ever expanding dieb family and have him contribute this excellent 3 track ep to our catalogue. fans of russ sound as well as the uninitiated will not be disappointed here as there is a very wide stylistic audio palette on display here-yet still retaining russ quintessential production aesthetic and quality.
ranging from the epic, old school >returning home< with its haunting pad and melodious bass arpeggios to the stripped back chugging tech house workout of >push it along< and the futuristic, techno-infused >narita express< with its modulating stabs and catchy, repetitive bassline it is easy to see why russ is and has always been considered a unique and exciting music visionary equally capable of creating harmonic, atmospheric soundscapes or high energy, functional beats aimed squarely at the dancefloor.
whatever your preference, this package is sure to satisfy even the most discerning ear or demanding club crowd! enjoy!